The Ghost in the Machine

So in my quest to continue posting frequently, and also to avoid continuing to clean up the house, I was going through my old posts, and I found the one about getting into Cy Twombly's studio after his death.  As I said in the post, it produced a nice little piece, one I was and continue to be very proud of.  Unfortunately for me, I left WDBJ shortly after I did that to go to work for the Fox 21/27 Morning News, and so my hopes to rack up a few prizes for it were dashed.  So it goes ...

Anyway, I have it still on tape for my personal use, but I haven't seen the piece for a long time.  It runs over four minutes -- exceedingly long for a TV news story -- and has no narrator at all, yet I think tells a good history in an entertaining way.

So as I was looking at the post, I noticed I had hot linked to the video playout at WDBJ7.com ... and I got curious.  Would it still be there?

It is.  The entire page comes up, complete with a freeze frame in the video player ... but it doesn't seem to play.  Curious. like the aftershadow in your eye after a bright flash.  (Or like the frozen figures in Ray Bradbury's story in Martian Chronicles.  You know, the reverse shadows of the people charred into the house walls after a nuclear attack?)

Guess I'll just have to dig out that tape sometime ...

N is for Neville, who died of ennui ...

Got this email today, from the head of a large photo agency:

Just curious, what sort of photographic projects are you working on?

Which got me thinking ...

Problem 1: The answer is both nothing and quite a lot.  The first answer is the one that inspired me to write this, because -- though I have a lot of things in mind (that's half of "quite a lot") -- I'm not really working on a personal project.  And that's disappointing.

You see I have stacks of stuff, piles of papers and books and files, all the inspirations for various personal projects.  I have all sorts of immediate ideas running around in my head for things I'd like to do right now.  I even have a couple I've made some minimal effort to do.

Like what?  Like this:

This is one of a series of what I've called "test shots" of nighttime views of Roanoke, Virginia.  It's a vague, lazy, passing effort at a larger project of proper, night shots of the city shot with a Speed Graphic on 4x5 film, or perhaps with a Leica using a Zeiss 21mm.  (The Speed's lens wouldn't be wide angle enough for a view like that above).

It's a vague, lazy test shot because I shot it with a Nikon D80, basically on the fly on the way into work on the morning show where I am the staff photographer.  (That's the other half of "quite a lot" -- producing all the visuals for a daily, two-hour show is really time consuming.)

Anyway, this is a continuation of a project I did in DC with the Speed, shooting pictures of the city at night reminiscent of those by Volkmar Wentzel.  And I haven't really put a lot of time and effort into it.  As it is, I keep patting myself on the back for bothering to get out of the car for 10 minutes to shoot these pics.

But the point is: Why am I not working directly on a project?  And why haven't I put more effort into this blog, or my other one?  Well, hopefully with this post, that last part is gonna' end...

Problem 2: Why am I getting an email from the president of a major photo agency?  My ego knows no bounds, and I like to think he's heard of me from my work with the NPPA, or perhaps from friends who work for the agency, but it just doesn't compute.  I think he got me off a list (again, NPPA?) and did a mass mailing.

But why?  What does this say about the state of photo agencies, that he's trolling for new ideas?  In an age where many outlets think viewer photos and random input from Instagram is sufficient, photo agencies -- many of which have vanished or been eaten up by their competitors in recent years -- need to rethink their position and role in the media world.  I think there's a place for them, once the public realizes that any ol' picture isn't as good as a truly well done picture by someone who spends his life making pictures, and then publications (or whatever falls under that term, since literal publishing and its role in the media is a separate question) see a profit from using good, professional photos.  The evidence is there, but I guess it just has to become numerically obvious.

Something to think about.  Maybe while I buckle down and get to work on that next project ...