Catching Up...

The Fourth of July in Lexington, Virginia, is like many holidays here. They seem to resemble Norman Rockwell paintings, or some other hugely unlikely, idealized version of the small town holiday...

The day begins with the children's bike parade down Main Street, starting at the public library. Decorations are handed out for the kids to use, and the mob then sets out on the downhill-sloping street for -- I don't know, about a mile? Others actually do gather to wave to the passing kids, as seen here, in front of storefronts which have also been decorated in patriotic colors. Flags hang from every lightpost.

The eventual destination, after a luncheon break of free hot dogs, lemonade, watermelon and popsicles provided by local businesses, is the parade ground (or "deck" as they prefer) at VMI. The hub of festivites rests there, with various booths for charities and sales, including snacks and drinks, a flea market of sorts, a barbeque dinner by the sponsoring Rotary Club, and a hot air balloon festival. Usually anywhere from ten to twelve balloons show up, launching in the early morning and early evening, when the wind is the most still.

Here we see the crowd watching as a balloon begins to inflate. As you can see, this year the weather was more uncertain by late afternoon, and indeed by nighttime (and the fireworks) it was lightly raining.
I shot this, and particularly like it, because it shows in its way what I think the celebration of America is all about, as well as capturing some of the cheerily chaotic festival atmosphere there.

Here several balloons have risen enough to launch, which they did shortly after, rushing off roughly Eastward at a brisk pace in what I assume was a surprisingly strong wind.

And, at day's end, the tent for the barbeque is mostly empty. I don't know whether this couple are die-hards or just extremely early for the fireworks, which wouldn't begin for another two or three hours...

All the pictures were shot with my Leica M4 and 21mm Zeiss lens on Kodak BW400CN film.

As an aside: As I waited with my girls for the bike parade to begin, the Leica around my neck, a broadly smiling man approached and, with a German accent, explained he was from Wetzlar, where the camera was made. (The factory has since moved to Solms, which he explained is nearby.) He seemed very pleased to see the Leica and I wish the circumstances had let me chat with him longer...

Again with the Leica...

So of course, in the process of filming (or rather, to be technical, video-ing, or rather high definition video-ing, which is why I prefer "filming" ... just because it's easier) Phil and his work I brought along the Nikon D-80 for production stills and my Leica M4.

A wide view of Phil in his workshop. He is paused -- something he does often to stare at the wood, or his quick, rough drawings, to gain a sense of where he is, what he's doing and (perhaps most importantly) where he's going. Sometimes it seems as if these aren't pauses at all, but the real work. The rapid, often noisy, handwork with the wood is only punctuation to the heavy lifting of thought...

A portrait, of sorts, shot as we were chatting just before I left on the first day of filming. He looks somewhat more severe than he truly is here -- and thus it's really not a good portrait, having failed to fully capture him. However, it does show some of the intensity of thought that goes into everything he says.

Finally, another view of work. This is from the first day also, when he was piecing together larger hunks of wood to form the general shape from which he would carve and rasp out the more graceful form of the piece. Again, he is in a pause, turning the wood, contemplating its place and shape.

Shot with the Leica M4 and a Zeiss 21mm f/2.8 lens on Kodak BW400CN film.