Random thoughts, randomly typed at random times ... hopefully being of some random interest.
Saturday, September 26, 2015
Are You Really Satisfied With That?
They've been saying -- and acting on what they've been saying -- that photojournalism as a specialty is doomed. With smart phones and easy-to-use point-and-shoot cameras producing high quality photos and videos, "anyone can be a photographer." As I have said before: Wrong.
Here's why: It all hinges on what you mean by "high quality." Much as when the camera companies and tech-heads go on about megapixels and bit rates (usually to get you to buy the newest, hottest, most fabulously expensive thing) the technical image quality just gets better and better, but the quality of the picture itself still depends on the photographer.
For example, Time photographers were recently given iPhone 6's to make pictures during news events, and they made some amazing images. But what does that mean? If you ask me, it means amazing photographers make amazing images no matter what the gear.
It reminds me of a story a friend told me about a seminar led by a famous landscape photographer. The speaker was known for lush images shot using giant view cameras and huge, 8x10 negatives. After a slide show and speech, he took questions, one of which was inevitably what gear he used. He delineated the maker of his equipment and lenses, etc., and then added, "But these slides I just shot were made with one of those little plastic cameras they send you as a gift when you subscribe to a magazine." (This was some decades ago, when cheap plastic film cameras were actually considered a worthless gift rather than the tool of deep, meaningful art school students.)
So the question we the consumers need to ask is this: Are we willing to be satisfied with some grab shot of a news event taken by a bystander with his cell phone? It does show what happened ... but it does little else. And you had better not be expecting the craft of Journalism to ensure you get something better, because the craft of Journalism in the end works for a bunch of guys who are less interested in craft, journalism, or quality than they are in making money. Let's face it: The Paley's and Sulzberger's and Graham's and Luce's seem like noble icons only through the mists of time; none of them took a vow of poverty. So it's up to us, the consumers, to show we will buy good stuff and not buy crap.
But if you're satisfied with the crappy photography ...
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