Wednesday, November 20, 2013

The Secret Code of 1940s Movie Guns


Once upon a time, I noticed the hammerless Colt .32 automatic.  It was probably in some old movie, and I think I only paid attention because the hammerless Glock had just come out, and I thought that feature (not having the thumb spar for cocking a pistol) was a modern innovation.  The Colt, however, was made in 1903.






But then I began to see it all the time in old movies, and it occurred to me that there is a secret social code built into the guns that appear in movies, particularly the detective pictures from the 30s and 40s.

You see, for example, all the cops carried Smith and Wesson .38 police special because that was the standard issue then.  (Coming full circle, in a way, you'll often find police today carrying Glocks.)  It was the bad guys who had the hammerless Colt, because it was small enough to stuff in a pocket and wouldn't catch on something when you pulled it out.

The good guys (the tough-as-nails detective) always had the M1911 Colt .45, and here's where the code came in.  The implication is that the pistol was a memento from the detective's experience in the war.  It's also why he wears a trench coat.






It's an instant backstory.  The good guy was in the Great War, an officer.  He's probably a little damaged, can't really put it behind him, but undoubtedly did his duty.

The bad guy, on the other hand, used his underworld connections to avoid service.  He has fancy suits and a fancy gun -- a little gun, like something a girl would use.

After a while, the .45 has come to carry a cache all its own, and since even took on a whole new meaning in the 80s with the development of the Colt Desert Eagle.

But what's interesting to me, and why I even bring this up, is what this says about society and culture.  The viewers of those old movies -- when they were new movies -- knew all these things without conscious thought.


While I think we could, and do, use unspoken signals like that today, they're much more cliche-specific and less able to tell as broad a story that most if not all of society could agree on.


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